荣耀
搜索"荣耀" ，找到 71部影视作品
导演：
/
徐纪周
剧情：
出生于军人家庭的燕破岳为了向父亲证明自己，在高考来临之际参军到了武警某支队。在新兵集训时，燕破岳训练成绩惊人，却不被中队长李祥看好，被分配到特战中队炊事班。炊事班中卧虎藏龙，燕破岳收敛心性投入工作。由于表现突出，燕破岳参加了武警特战队的选拔。为实现英雄梦，燕破岳一度注重 自我、忽略集体。严酷的环境、艰巨的任务，让他认识到不足。在战友们的帮助下，他终于认识到团队的重要性和集体主义精神的真谛，理解了老中队长李祥的良苦用心，曾经的兵王继续磨砺自己。魂呼万里外，战死当如归！在一次次生与死的考验中，燕破岳不断成长，成为一名优秀的武警特战队员，坚守对党和国家的绝对忠诚和坚定信念，永远做党和人民的忠诚卫士。 本剧改编自纷舞妖姬小说《中国特种兵之特别有种》。
导演：
/
吕行
剧情：
金宸资本经理吴恪之有着犀利的投资眼光，同时也有着桀骜不驯的性格。因为不善于与上司相处，与公司高层曲忠辉之间产生间隙，未能受到公司重用。公司突然空降了学历普通、毫无经验的实习生孙弈秋进入吴恪之的部门。吴恪之非常排斥，不愿接受。关键时刻孙弈秋留住了重要客户，也为自己赢得了宝贵的试用期。共事的过程中吴恪之逐渐发现孙弈秋的能力和实力，他言传身教、悉心指导，孙弈秋得以迅速成长。吴恪之也逐渐清晰自己的坚守和底线。不断地磨合和碰撞，让师徒俩逐渐默契。在公司面临内忧外患的重要时刻，这对不被公司看好的平凡师徒挽救了公司的声誉。一系列事件后，他们对自己的职业生涯有了新的想法，做出了新的选择。
导演：
/
胥明文
剧情：
《士兵的荣耀》是由上海腾讯企鹅影视文化传播有限公司、深圳市腾讯计算机系统有限公司、浙江思成影业有限公司出品的军旅题材献礼片，该片发行方是重庆铂凌影视传媒有限公司，由80后导演胥明文执导，黄奕，周浩东，黄一飞，何文辉等主演。于2019年10月1日腾讯视频独家上线。 剧情简介 公安边防支队侦查大队特勤排排长秦胜男在一次处突行动中，因违抗上级命令导致自己重伤，被撤消职务，作老兵退伍处理。临别前，支队长勉励她：有缺点的战士终归是战士，完美的苍蝇毕竟是苍蝇。并嘱咐，让她永远记住这句话。 退伍的胜男，拖着假肢在工地干活，偶遇曾到体院招兵的海军陆战队副连长马远征，两人在不知不觉中被搅进了和前男友钱鑫有关的一场暴恐分子偷运武器的战争当中，却发现当初胜男的撤销职务只是一个蒙蔽敌人的手段。于是，一场智与力的战斗在士兵与暴恐分子之间展开...... 角色介绍 黄奕饰演秦胜男，公安边防支队侦查大队排长，汶川地震中失去双亲，后被武警救出，体院毕业后特招入伍。体院自由搏击冠军，狙击手。 刘超饰演马远征，前海军陆战队连长。到体院特招秦胜男时一见倾心，转业途中获悉胜男被“撤消干部职务，作士兵退伍处理”，南下寻找胜男。 刘述饰演钱鑫，秦胜男大学同学，富二代。暗中资助秦胜男赢得芳心，因其严重的拜金主义，加之胜男入伍后一再推迟婚期，两人最终分手，后战死。 马仑饰演黄兵，钱鑫舅舅，玉石商人，参加过对越作战，受蒙蔽协助暴恐分子偷运武器入境，幡然省悟后被杀害。 宋禹饰演林队，前连防指挥学校教官，后为边防支队侦查大队副大队长。曾到体院招收特长生，秦胜男的直接领导。 柯志凌饰演卡尔，西突暴恐分子，其组织曾策划实施昆明“3.01”暴恐事件,后在偷运武器入境，欲在湄公河沿岸五国首脑会议期间制造恐怖事件被击毙。
导演：
/
罗伯特·雷德福
剧情：
一战的硝烟渐渐散去，饱经战火洗礼的年轻人兰努夫·朱诺（马特·达蒙 Matt Damon 饰）拖着疲惫的身心，回到了故乡佐治亚州的萨凡纳。兰努夫曾是镇上最为著名的业余高尔夫球手，但是战火阻断了他的梦想，也让他暂时作别心爱的女孩爱黛尔·因夫戈登（查理兹·塞隆 Charlize Theron 饰）。爱黛尔的父亲是当地最有钱的人，他打造了超豪华的高尔夫球场，曾经轰动一时，只是经济大萧条让球场的经营举步维艰。为了让爱人重振信心，也为了让球场再现辉煌，爱黛尔邀请了两名职业选手与兰努夫比赛。希望之光慢慢降临…… 本片根据斯蒂芬·普莱斯菲尔德（Steven Pressfield）的原著改编，并荣获2001年凤凰城影评人协会最佳原创音乐奖、2001年上海国际电影节最佳技术大奖。
导演：
/
刘国楠,尹涛
剧情：
沈珍珠出身名门，被选为广平王李豫之妃，生下长子唐德宗李适，后被李适追封为睿真皇后。她只是一介江南女子，内心善良，心存社稷，与人为善，在安史之乱之时只愿留在长安与百姓共同进退，被长安百姓所尊重。离散之中虽有大将默延啜对其追求，但仍坚守对李豫的爱。唐朝收复长安后，流散之人不得入宫，但李豫一心要接珍珠回来，珍珠以李豫太子前程为重，重回民间，后李豫多处寻找，珍珠始终不愿入宫，只愿成全李豫。她凭着达礼知书的才识，和德才兼备的优良品质，赢得李豫一生对她无法忘怀，而她又不事奢华，以一个和字协理后宫，知民间百姓疾苦。一代才女沈珍珠为唐朝中期的发展做出了一定的历史贡献。
导演：
/
刘国楠,尹涛
剧情：
唐肃宗时期，皇室内忧外患。皇子李倓受皇后陷害死去，皇长子李俶悲痛不已。朝堂之上，张皇后和史思明中伤李俶，导致李俶兵权被夺。为了振作李俶，独孤靖瑶提出嫁入王府协助李俶。面对独孤靖瑶的好意和对妻子珍珠的爱情，李俶陷入两难。为了李俶和大唐王朝的未来，珍珠主动让李俶休掉自己迎娶独孤靖瑶，之后李俶被立为太子。张皇后与史思明的诡计随着李俶的一步步登向皇位而越发狠毒，史思明撕破面具谋反。朝堂之内，张皇后另立太子的诡计也被忠臣李佖识破，太子之位得保。大势已去的张皇后拼死挣扎，试图绑架珍珠要挟太子李俶，李俶在皇帝面前揭穿张皇后的诡计，皇后终食恶果。在众忠臣良将和独孤靖瑶的帮助下，李俶成功平叛。大唐江山终于稳固，经历大起大落波折的李俶，登上皇位，延续大唐荣耀。
导演：
/
木野目优
剧情：
故事发生在位于关东郊外的星见市，该市以“最适合观测一年一度的流星雨的城市”为由闻名于世。星见演艺事务所中，偶像长濑麻奈（神田沙也加 配音）因为在演绎对决中连连获胜，而在偶像排行榜维纳斯计划中一路扶摇直上。 几年后，事务所开始收纳新的偶像，麻奈的妹妹琴乃（橘美来 配音）和拥有着和麻奈极为相似的歌声的川咲樱（菅野真衣 配音）是其中最有望复刻麻奈曾经的辉煌的所在。除此之外，拥有超强舞技个性却略微冷淡的一之濑怜（结城萌子 配音）、性格温柔，总是替别人着想的伊吹渚（夏目心菜 配音）、无论何时都可以依靠的大姐姐佐伯遥子（佐佐木奈绪 配音） ，同样在努力着的，还有这些预备偶像们。
导演：
/
泽维尔·布瓦
剧情：
故事发生在七十年代末期的日内瓦，来自比利时的艾迪（贝诺特·波尔沃尔德 Benoît Poelvoorde 饰）因为行骗锒铛入狱，当他好不容易熬完了他的刑期时，已经年逾四十了。出狱后没多久，艾迪就遇到了他从前的朋友，朋友收留了无家可归的艾迪，但作为交换条件，艾迪必须担负起照顾他年仅7岁的小女儿萨米拉（Séli Gmach 饰）的责任，因为萨米拉的母亲目前正在生病住院之中。 圣诞节将至，四处都洋溢着浓烈的节日气氛，艾迪再也无法忍受贫穷而又无望的生活了，他决定重操旧业给自己小赚一笔。电视里传出了影视明星查理卓别林去世的新闻，机敏的艾迪从中发现了商机。
导演：
/
王连平
剧情：
云南公安边防部队为破获一宗特大走私贩毒案，展开了一系列扣人心弦、斗智斗勇的“战役”。该剧以此为主线展开故事，剧中，“女一号”范志博饰演的是一位有着过硬的军人素质、同时满怀一腔保家卫国热血的中尉女警官杨欣欣。 在一次办案过程中，杨欣欣结识了被毒贩挟持作为人质而险些丧命的医学专家陈天瑞，并成为朋友。通过陈天瑞，杨欣欣也认识了陈的表哥刘志勇。原来，杨欣欣与刘志勇早有渊源。小时候杨欣欣的一次失足落水，救起她的人正是刘志勇。 杨欣欣对刘感激不尽。然而随着案情的进一步发展，在警方掌握了大量线索后，刘志勇大毒枭的真实身份渐渐浮出水面……
导演：
/
Rebekah McKendry
剧情：
Spiraling out after a bad breakup, Wes ends up at a remote rest stop miles away from civilization. His situation worsens after he finds himself locked inside the bathroom with a mysterious figure speaking to him from an adjacent stall. As Wes tries to escape, he realizes he is an unwilling player in a situation bigger and more terrible than he could possibly imagine.
导演：
/
Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/
Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/
达雷尔·鲁尼,罗布·拉杜卡
剧情：
辛巴（马修·布罗德里克 Matthew Broderick 配音）的女儿琪拉雅（内芙·坎贝尔 Neve Campbell 配音）调皮好动，喜欢到处奔跑，受辛巴所托看护她的彭彭和丁满实在无计可施。在另一处，刀疤的余党吉娜意图把儿子高孚训练成刀疤的接班人，并蓄谋一场复仇之战， 篡夺荣耀国的统治权。好奇的琪拉雅偷偷去森林外冒险遇到高孚，他们在玩耍时掉进鳄鱼湖。勇敢的琪拉雅救了高孚，两人成为莫逆之交。 几年后，阴险的吉娜设计让高孚混入辛巴的阵营，获取辛巴的信任，再伺机发动复仇之战。高孚与琪拉雅在相处中爱上彼此，于是高孚决定放弃复仇说出真相。辛巴虽然相信了高孚，但还是有所保留。一天，高孚和辛巴散步时误入了蛮荒之地，吉娜突然出现了，经过一阵激烈的厮打，辛巴在高孚的帮助下逃脱了。但受伤的辛巴对高孚产生误会，将他赶回了蛮荒之地，琪拉雅伤心地离家出走。荣耀之战即将在辛巴与吉娜之间展开，但这是否能将父辈的恩怨、儿女的情仇彻底化解呢？
导演：
/
伊夫·罗贝尔
剧情：
《父亲的荣耀》和《母亲的城堡》是20世纪初发生普罗旺斯小山村里的温馨故事，这两部电影均改编自Marcel Pagnol写的自传体小说，讲述作者回忆童年时光的琐事，也叫《初渡艳阳天》和《再见艳阳天》。《父亲的荣耀》的剧情描述马歇儿一家人及姨丈一家在民风淳朴的普罗旺斯地区合租了一幢别墅度暑假，其间发生了不少趣事，令马歇儿深深爱上了这块土地。故事一开始介绍了这一家人的生活，爸爸是个古板的老师，妈妈总是担心马歇儿看太多书头会爆炸，而马歇儿偏偏成天找书看，甚至是菜谱，姨丈是个爱吹牛的公务员。 本片系马塞尔·帕格诺尔(Marcel Pagnol)的童年回忆，改编自法国名作家马歇儿童年逸事的散文式喜剧，与《妈妈的城堡》均由伊维斯·罗勃特导演，是姊妹作。这是令人感到内心愉悦的成长喜剧，外景风光诗情画意。另外，普罗旺斯也就是《屋顶上的骑兵》的故事发生地点。 改编自同名传记小说，经典的法国电影，在都市的喧嚣中体验法国乡村童年的温馨回忆。
